![]() ![]() ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Edward's introduction evaluates the novel's leading place among `bigamy-novels' and Braddon's treatment of the power struggle between the sexes, as well as considering the similarities between theĪuthor and her heroine. She represents a challenge to the mid-Victorian sexual code, and particularly to the feminine ideal of simpering, angelic young ladyhood. ![]() ![]() Passionate, sometimes violent, Aurora does succeed in enjoying them, her desires scarcely chastened by her disastrous first marriage. But in Aurora Floyd,Īnd in many of the novels written in imitation of it, bigamy is little more than a euphemism, a device to enable the heroine, and vicariously the reader, to enjoy the forbidden sweets of adultery without adulterous intentions. Like Lady Audley, Aurora is a beautiful young woman bigamously married and threatened with exposure by a blackmailer. Aurora Floyd (1862-3), following hot on its heels, achieved almost equal popularity and notoriety. With Lady Audley's Secret, Mary Elizabeth Braddon had established herself, alongside Wilkie Collins and Mrs Henry Wood, as one of the ruling triumvirate of `sensation novelists'. ![]()
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